{"id":43192,"date":"2018-11-17T09:07:00","date_gmt":"2018-11-17T06:07:00","guid":{"rendered":"https:\/\/new.azbuki.bg\/philosophy\/philosophyarticles2016-3\/xxvii-4-2018\/"},"modified":"2019-06-24T17:32:27","modified_gmt":"2019-06-24T14:32:27","slug":"xxvii-4-2018","status":"publish","type":"post","link":"https:\/\/newspaper.azbuki.bg\/en\/philosophy\/philosophyarticles2016-3\/xxvii-4-2018\/","title":{"rendered":"Philosophy, Number 4\/2018, Volume 27"},"content":{"rendered":"<p><strong><a name=\"top\"><\/a>CONTENTS of Issue 4\/2018 \/ \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415 \u043d\u0430 \u0431\u0440\u043e\u0439 4\/2018<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>HISTORY OF PHILOSOPHY \/ \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u041d\u0410 \u0424\u0418\u041b\u041e\u0421\u041e\u0424\u0418\u042f\u0422\u0410<\/strong><br \/><a href=\"#art01\">\u041f\u043e\u0437\u043d\u0430\u0432\u0430\u0442\u0435\u043b\u043d\u0430 \u0441\u0438\u043b\u0430 \u0438 \u043d\u0435-\u0441\u043f\u043e\u0441\u043e\u0431\u043d\u043e\u0441\u0442 \u0437\u0430 \u0441\u0432\u043e\u0431\u043e\u0434\u0430 \u2013 \u041a\u0430\u043d\u0442\u043e\u0432\u0438 \u0442\u0440\u0438\u0445\u043e\u0442\u043e\u043c\u0438\u0438 <\/a><br \/><a href=\"#art01\">[Cognitive Force and In-capability for Freedom \u2013 Kantian Trichotomies] \/ <\/a><br \/><em>\u0418\u0432\u0430\u0439\u043b\u043e \u0414\u0438\u043c\u0438\u0442\u0440\u043e\u0432 \/ Ivaylo Dimitrov \u2013<\/em> \u0441\u0442\u0440. 343<br \/><a href=\"https:\/\/newspaper.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#art02\">Hegel and the Speculative Course of Freedom \/ <\/a><br \/><em>Ivo Minkov<\/em> \u2013 \u0441\u0442\u0440. 359<br \/><a href=\"https:\/\/newspaper.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>HERMENEUTICS \/ \u0425\u0415\u0420\u041c\u0415\u041d\u0415\u0412\u0422\u0418\u041a\u0410<\/strong> <br \/><a href=\"#art03\">Fiction and Faction Perplexity in the Historical Discourse<\/a> \/ <br \/><em>Nysret Krasniqi<\/em> \u2013 page 365<br \/><a href=\"https:\/\/newspaper.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#art04\">\u041a\u0430\u043a\u044a\u0432 \u0435 \u0437\u0430\u043b\u043e\u0433\u044a\u0442 \u0432\u044a\u0432 \u201e\u0412\u0440\u0435\u043c\u0435 \u0438 \u0440\u0430\u0437\u043a\u0430\u0437\u201c \u043d\u0430 \u041f\u043e\u043b \u0420\u0438\u043a\u044c\u043e\u0440? <\/a><br \/><a href=\"#art04\">[What is at stake in Paul Ricoeur\u2019s \u201cTime and Narrative\u201d?] \/ <\/a><br \/><em>\u0427\u0430\u0432\u0434\u0430\u0440 \u0414\u0438\u043c\u0438\u0442\u0440\u043e\u0432 \/ Chavdar Dimitrov\u00a0<\/em>\u2013 page 379<br \/><a href=\"https:\/\/newspaper.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>PHENOMENOLOGY \/ \u0424\u0415\u041d\u041e\u041c\u0415\u041d\u041e\u041b\u041e\u0413\u0418\u042f<\/strong> <br \/><a href=\"#art05\">\u0417\u0430 \u0440\u0435\u0430\u043b\u043d\u043e\u0441\u0442\u0442\u0430 \u0438 \u043f\u043e\u0441\u043e\u043a\u0438\u0442\u0435 \u0432\u044a\u0432 \u0432\u0440\u0435\u043c\u0435\u0441\u044a\u0437\u043d\u0430\u043d\u0438\u0435\u0442\u043e (\u0427\u0430\u0441\u0442 2) <\/a><br \/><a href=\"#art05\">[On Reality and Directions within Time-Consciousness (Part 2)] \/ <\/a><br \/><em>\u041a\u043e\u0441\u0442\u0430 \u0411\u0435\u043d\u0447\u0435\u0432 \/ Kosta Bentchev<\/em> \u2013 page 413<br \/><a href=\"https:\/\/newspaper.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>PHILOSOPHY OF ARTS \/ \u0424\u0418\u041b\u041e\u0421\u041e\u0424\u0418\u042f \u041d\u0410 \u0418\u0417\u041a\u0423\u0421\u0422\u0412\u041e\u0422\u041e<\/strong><br \/><a href=\"#art06\">\u041f\u0440\u0438\u0437\u0432\u0430\u043d\u0438\u0435\u0442\u043e \u0432\u044a\u0432 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f\u0442\u0430 \u043d\u0430 \u0425\u043e\u0441\u0435 \u041e\u0440\u0442\u0435\u0433\u0430-\u0438-\u0413\u0430\u0441\u0435\u0442 \u2013 \u0433\u0435\u0440\u043e\u0438\u0437\u044a\u043c \u0437\u0430 \u0432\u0441\u0435\u043a\u0438 <\/a><br \/><a href=\"#art06\">[Th\u0435 \u201cVocation\u201d in the Philosophy of Jose Ortega-y-Gasset \u2013 Heroism for Everyone] \/ <\/a><br \/><em>\u041c\u0438\u0433\u043b\u0435\u043d\u0430 \u041c\u0430\u0440\u0438\u043d\u043e\u0432\u0430 \/ Miglena Marinova<\/em> \u2013 p. 434<br \/><a href=\"https:\/\/newspaper.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>ANNUAL CONTENTS \/ \u0413\u041e\u0414\u0418\u0428\u041d\u041e \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415<\/strong> \u2013 \u0441\u0442\u0440. 446<\/p>\n<p>\u00a0<\/p>\n<p><strong>READ IN THE LATEST ISSUES OF THE \u201eAZ-BUKI\u201c JOURNALS \/ <\/strong><br \/><strong>\u0412 \u041d\u041e\u0412\u0418\u0422\u0415 \u0411\u0420\u041e\u0415\u0412\u0415 \u041d\u0410 \u0421\u041f\u0418\u0421\u0410\u041d\u0418\u042f\u0422\u0410 \u041d\u0410 \u0418\u0417\u0414\u0410\u0422\u0415\u041b\u0421\u0422\u0412\u041e \u201e\u0410\u0417-\u0411\u0423\u041a\u0418\u201c \u0427\u0415\u0422\u0415\u0422\u0415<\/strong> \u2013 p. 449<\/p>\n<p>\u00a0<\/p>\n<p><strong>GUIDE FOR AUTHORS \/ \u0423\u041a\u0410\u0417\u0410\u041d\u0418\u042f \u0417\u0410 \u0410\u0412\u0422\u041e\u0420\u0418\u0422\u0415<\/strong> \u2013 \u0441\u0442\u0440. 451<\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art01\"><\/a>\u041f\u041e\u0417\u041d\u0410\u0412\u0410\u0422\u0415\u041b\u041d\u0410 \u0421\u0418\u041b\u0410 \u0418 \u041d\u0415-\u0421\u041f\u041e\u0421\u041e\u0411\u041d\u041e\u0421\u0422 \u0417\u0410 \u0421\u0412\u041e\u0411\u041e\u0414\u0410 \u2013 \u041a\u0410\u041d\u0422\u041e\u0412\u0418 \u0422\u0420\u0418\u0425\u041e\u0422\u041e\u041c\u0418\u0418<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Ivaylo Dimitrov<\/strong><br \/><em>Bulgarian Academy of Sciences (Bulgaria)<\/em><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u043c\u0430\u0440\u043a\u0438\u0440\u0430 \u0432\u044a\u0437\u043c\u043e\u0436\u0435\u043d \u043f\u043e\u0434\u0441\u0442\u044a\u043f \u043a\u044a\u043c \u0430\u043d\u0430\u043b\u0438\u0437 \u043d\u0430 \u041a\u0430\u043d\u0442\u043e\u0432\u043e\u0442\u043e \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u0447\u043d\u043e \u043f\u043e\u043d\u044f\u0442\u0438\u0435 \u0437\u0430 \u0441\u0438\u043b\u0430 (Kraft), \u0431\u0430\u0437\u0438\u0440\u0430\u043d \u043d\u0430 \u0438\u043d\u0444\u043b\u0443\u043a\u0446\u0438\u043e\u043d\u0438\u0441\u0442\u043a\u0438\u044f \u043c\u043e\u0434\u0435\u043b \u043d\u0430 \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u0442\u0430 \u043c\u0443 \u043c\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u043a\u0430. \u0420\u0435\u0444\u0435\u0440\u0435\u043d\u0442\u043d\u0430\u0442\u0430 \u0442\u043e\u0447\u043a\u0430 \u043d\u0430 \u0432\u0441\u0438\u0447\u043a\u0438 \u043f\u0440\u0435\u0434\u043e\u0441\u0442\u0430\u0432\u0435\u043d\u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0438 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u0441\u0442\u0432\u0430 \u0435 \u0442\u0440\u043e\u0439\u043d\u043e\u0442\u043e \u043f\u043e\u0434\u0440\u0430\u0437\u0434\u0435\u043b\u0435\u043d\u0438\u0435 \u043d\u0430 \u043f\u0440\u0435\u0434\u0438\u043a\u0430\u043c\u0435\u043d\u0442\u0430 \u201e\u0432\u044a\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u201c, \u043e\u0447\u0435\u0440\u0442\u0430\u043d\u043e \u043e\u0442 \u041a\u0430\u043d\u0442 \u043f\u0440\u0438 \u043f\u043b\u0430\u043d\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u0438\u044f \u043c\u0443 \u043a\u0443\u0440\u0441 \u043f\u043e \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f. \u0426\u0435\u043b\u0442\u0430 \u043c\u0438 \u0435 \u0434\u0430 \u043f\u0440\u0435\u0434\u043e\u0441\u0442\u0430\u0432\u044f \u0434\u043e\u0441\u0442\u0430\u0442\u044a\u0447\u043d\u043e \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0434\u0430 \u0441\u0435 \u0442\u0432\u044a\u0440\u0434\u0438, \u0447\u0435 \u0432\u044a\u043f\u0440\u043e\u0441\u043d\u0430\u0442\u0430 \u0434\u0438\u0441\u0442\u0438\u043d\u043a\u0446\u0438\u044f \u043c\u0435\u0436\u0434\u0443 F\u00e4higkeit, Verm\u00f6gen \u0438 Kraft \u0435 \u043f\u0440\u0438\u043c\u0435\u0440 \u0437\u0430 \u041a\u0430\u043d\u0442\u043e\u0432\u043e \u201e\u0441\u044a\u043c\u043d\u0438\u0442\u0435\u043b\u043d\u043e\u201c \u043f\u043e\u0434\u0440\u0430\u0437\u0434\u0435\u043b\u0435\u043d\u0438\u0435 \u0432 \u0447\u0438\u0441\u0442\u0430\u0442\u0430 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f, \u043a\u043e\u0435\u0442\u043e \u043c\u043e\u0436\u0435 \u0434\u0430 \u0441\u0435 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u043a\u0430\u0442\u043e \u0441\u0438\u043d\u0442\u0435\u0442\u0438\u0447\u043d\u043e \u043f\u043e\u0434\u0440\u0430\u0437\u0434\u0435\u043b\u0435\u043d\u0438\u0435 \u043d\u0430 \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u044f \u043c\u0443 \u043f\u0440\u043e\u0435\u043a\u0442. \u041d\u0430 \u0442\u043e\u0432\u0430 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0441\u044a\u0449\u043e \u0442\u0432\u044a\u0440\u0434\u044f, \u0447\u0435 \u043f\u043e\u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043e\u043c \u0432\u044a\u043f\u0440\u043e\u0441\u043d\u0430\u0442\u0430 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u0430 \u0442\u0440\u0438\u0445\u043e\u0442\u043e\u043c\u0438\u044f \u0431\u0438\u0445\u043c\u0435 \u043c\u043e\u0433\u043b\u0438 \u0434\u0430 \u043f\u0440\u0438\u043f\u043e\u0437\u043d\u0430\u0435\u043c \u201e\u043a\u043b\u044e\u0447\u043e\u0432\u0438\u044f \u043a\u0430\u043c\u044a\u043a \u043d\u0430 \u0446\u044f\u043b\u0430\u0442\u0430 \u0441\u0433\u0440\u0430\u0434\u0430\u201c \u043d\u0430 \u041a\u0430\u043d\u0442\u043e\u0432\u0430\u0442\u0430 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f.<br \/><em>Keywords:<\/em> Kant; force; capacity; faculty; freedom<\/p>\n<p>\u00a0<\/p>\n<p><strong>COGNITIVE FORCE AND IN-CAPABILITY FOR FREEDOM \u2013 KANTIAN TRICHOTOMIES<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The paper sketches out an approach to an analysis of Kant\u2019s specific notion of \u2018Kraft\u2019 based on the influxionist model of his Critical metaphysics. The point of reference of all provided sets of textual evidence is the triple division of the predicament \u2018possibility\u2019 outlined by Kant for his course on anthropology. My aim is to provide a sufficient reason to claim that this distinction between F\u00e4higkeit, Verm\u00f6gen, and Kraft exemplifies Kant\u2019s \u2018suspicious divisions in pure philosophy\u2019and thus can be regarded as a synthetic partitioning of his Critical project. For this reason, I also contend that through the dynamic trichotomy in question we could recognize the \u2018keystone of the whole edifice\u2019of Kant\u2019s philosophy.<\/p>\n<p>\u00a0<\/p>\n<p>Dr. Ivaylo Dimitrov, Assoc. Prof.<br \/>Institute for the Study of Societies and Knowledge<br \/>Bulgarian Academy of Sciences<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a name=\"art02\"><\/a>HEGEL AND THE SPECULATIVE COURSE OF FREEDOM<\/strong><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p><strong>Ivo Minkov<\/strong><br \/><em>South-West University \u201cNeofit Rilski\u201d, Bulgaria<\/em><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The main accent in the article is to show the perspective to understand the idea of freedom as a process, rather than condition. The course of freedom is speculative and the deepest form of Hegel\u2019s philosophy. Moreover, it is the solid ground of the mighty systematic thought of the German philosopher. In the light of the highest category of Hegel\u2019s logic \u2013 The Absolute Idea \u2013 the speculative idea of freedom obtains an ontological aspect completely different and even diametrically opposed to spontaneity.<br \/><em>Keywords:<\/em> freedom; speculation; process; Absolute idea<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art03\"><\/a>FICTION AND FACTION PERPLEXITY IN THE HISTORICAL DISCOURSE<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Nysret Krasniqi<\/strong><br \/><em>University of Prishtina, Kosovo<\/em><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> In this article the whole argument lies in discussing a close relationship between history and literature on the generic basis especially due to the long path of theoretical and philosophical coherence. From Antique to Postmodernism, the generic coherence of hybrid discursive formations dictated perplexity of defining perhaps separating the very idiosyncratic composition of them. Thus, this article deals with the philosophy of history in terms of its reflecting on literary discourse or in philosophy of literature. This ambiguity provoked many discussions hereby melted within the philosophical ideas and literary theories with the prior aim finding best possible ways toward idealized truth both in the discourse of history and literature.<br \/><em>Keywords:<\/em> Philosophy of history; literary discourse; fiction and faction; aletheia; immanence<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art04\"><\/a>\u041a\u0410\u041a\u042a\u0412 \u0415 \u0417\u0410\u041b\u041e\u0413\u042a\u0422 \u0412\u042a\u0412 \u201e\u0412\u0420\u0415\u041c\u0415 \u0418 \u0420\u0410\u0417\u041a\u0410\u0417\u201c \u041d\u0410 \u041f\u041e\u041b \u0420\u0418\u041a\u042c\u041e\u0420?<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>\u0427\u0430\u0432\u0434\u0430\u0440 \u0414\u0438\u043c\u0438\u0442\u0440\u043e\u0432<\/strong><br \/><em>Sofia University<\/em><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0435 \u043a\u0440\u0438\u0442\u0438\u043a\u0430 \u043d\u0430 \u0440\u0435\u043b\u0430\u0446\u0438\u044f\u0442\u0430 \u0432\u0440\u0435\u043c\u0435 \u2013 \u043d\u0430\u0440\u0430\u0442\u0438\u0432, \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0437\u0438\u0440\u0430\u043d\u0430 \u043e\u0442 \u041f\u043e\u043b \u0420\u0438\u043a\u044c\u043e\u0440 \u043a\u0430\u0442\u043e: \u043f\u0440\u0438\u0431\u043b\u0438\u0436\u0430\u0432\u0430\u043d\u0435 \u0438 \u043e\u0442\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0441\u043f\u0440\u044f\u043c\u043e \u043f\u0440\u0435\u0434\u043d\u0430\u0440\u0430\u0442\u0438\u0432\u043d\u043e\u0441\u0442; \u043e\u0442\u0432\u0430\u0440\u044f\u043d\u0435 \u043b\u043e\u0433\u0438\u043a\u0430\u0442\u0430 \u043d\u0430 \u0440\u0430\u0437\u043a\u0430\u0437\u0430 \u043a\u044a\u043c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u043d\u043e\u0441\u0442; \u0430\u043d\u0433\u0430\u0436\u0438\u043c\u0435\u043d\u0442 \u0441 \u0444\u0438\u043a\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e\u0442\u043e. \u041d\u0430 \u043f\u044a\u0440\u0432\u043e \u043c\u044f\u0441\u0442\u043e \u0435 \u043f\u043e\u0441\u0442\u0430\u0432\u0435\u043d \u0432\u044a\u043f\u0440\u043e\u0441\u044a\u0442 \u0437\u0430 \u043e\u0442\u0433\u0440\u0430\u043d\u0438\u0447\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u0435\u043f\u0438\u0441\u0442\u0435\u043c\u043e\u043b\u043e\u0433\u0438\u0447\u043d\u0430 \u0438 \u043e\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u0447\u043d\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u043a\u0430. \u0420\u0430\u0437\u0433\u043b\u0435\u0434\u0430\u043d\u0430 \u0435 \u043e\u043f\u043e\u0441\u0440\u0435\u0434\u0441\u0442\u0432\u0430\u0449\u0430\u0442\u0430 \u0440\u043e\u043b\u044f \u043d\u0430 \u0440\u0435\u0444\u043b\u0435\u043a\u0441\u0438\u0432\u043d\u043e\u0441\u0442\u0442\u0430, \u043e\u0431\u043e\u0441\u043e\u0431\u0435\u043d\u0430 \u043a\u0430\u0442\u043e \u0434\u0438\u0441\u0442\u0430\u043d\u0446\u0438\u0440\u0430\u043d\u043e\u0441\u0442 \u0438 \u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u043e\u0441\u0442. \u0412\u044a\u0432 \u0432\u0442\u043e\u0440\u0438\u044f \u0435\u0442\u0430\u043f, \u0441 \u043e\u0433\u043b\u0435\u0434 \u043f\u0440\u043e\u0435\u043a\u0442\u0430 \u0437\u0430 \u0442\u0440\u043e\u0435\u043d \u043c\u0438\u043c\u0435\u0437\u0438\u0441, \u0441\u0430 \u0438\u0437\u0442\u044a\u043a\u043d\u0430\u0442\u0438 \u0440\u043e\u043b\u044f\u0442\u0430 \u043d\u0430 \u0432\u044a\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435\u0442\u043e \u0438 \u043d\u0435\u044f\u0441\u043d\u0438 \u043c\u043e\u043c\u0435\u043d\u0442\u0438 \u0432 \u0441\u0442\u0440\u0430\u0442\u0435\u0433\u0438\u044f\u0442\u0430 \u043d\u0430 \u0420\u0438\u043a\u044c\u043e\u0440 \u2013 \u043d\u0435\u043f\u043e\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u043d\u043e\u0441\u0442 \u0432 \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u044f\u0442\u0430 \u0437\u0430 \u043f\u0440\u043e\u0446\u0435\u0441\u0443\u0430\u043b\u043d\u043e\u0441\u0442 \u043d\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0442\u043e \u043c\u0438\u0441\u043b\u0435\u043d\u0435 \u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u043c \u0441 \u043f\u043e\u043d\u044f\u0442\u0438\u0435\u0442\u043e \u0437\u0430 \u201e\u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043d\u043e\u0441\u0442\u201c \u043d\u0430 \u043c\u0438\u043d\u0430\u043b\u043e\u0442\u043e. \u0410\u043d\u0430\u043b\u0438\u0437\u044a\u0442 \u043f\u0440\u043e\u0434\u044a\u043b\u0436\u0430\u0432\u0430 \u0441 \u043a\u043e\u043c\u043f\u043b\u0435\u043c\u0435\u043d\u0442\u0430\u0440\u043d\u0430\u0442\u0430 \u0442\u0435\u043c\u0430 \u0437\u0430 \u201e\u043f\u0440\u043e\u0435\u043a\u0442\u0438\u0440\u0430\u043d \u0441\u0432\u044f\u0442\u201c, \u0432 \u043a\u043e\u0439\u0442\u043e \u0430\u043a\u0442\u044a\u0442 \u043d\u0430 \u0447\u0435\u0442\u0435\u043d\u0435 \u0438\u0437\u044f\u0432\u044f\u0432\u0430 \u0444\u0435\u043d\u043e\u043c\u0435\u043d\u0430 \u0432\u0440\u0435\u043c\u0435 \u0447\u0440\u0435\u0437 \u043f\u0440\u043e\u0434\u0443\u043a\u0442\u0438\u0432\u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u0441\u0435\u043a\u0446\u0438\u044f. \u0422\u0443\u043a, \u0432 \u0441\u044a\u043f\u043e\u0441\u0442\u0430\u0432\u043a\u0430\u0442\u0430 \u043c\u0435\u0436\u0434\u0443 \u0441\u044e\u0436\u0435\u0442\u0438\u0437\u0430\u0446\u0438\u044f, \u043a\u043e\u044f\u0442\u043e \u0435 \u0432\u0435\u0447\u0435 \u0432 \u043a\u0443\u043b\u0442\u0443\u0440\u0430\u0442\u0430, \u0438 \u0430\u0432\u0442\u043e\u043d\u043e\u043c\u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0430 \u0442\u0432\u043e\u0440\u0431\u0430, \u0435 \u0441\u043a\u0438\u0446\u0438\u0440\u0430\u043d\u0430 \u0438\u0434\u0435\u044f\u0442\u0430 \u043d\u0430 \u0420\u0438\u043a\u044c\u043e\u0440 \u0437\u0430 \u043f\u0440\u0435\u0445\u043e\u0434 \u043e\u0442 \u0441\u0435\u043c\u0430\u043d\u0442\u0438\u043a\u0430 \u043d\u0430 \u0434\u0435\u0439\u043d\u043e\u0441\u0442\u0442\u0430, \u043f\u0440\u0435\u0437 \u0442\u0440\u0430\u043d\u0441\u0442\u0435\u043c\u043f\u043e\u0440\u0430\u043be\u043d \u0438\u043c\u0430\u0433\u0438\u043d\u0435\u0440\u0435\u043d \u0441\u0432\u044f\u0442, \u043a\u044a\u043c \u0440\u0435\u0444\u0438\u0433\u0443\u0440\u0430\u0446\u0438\u044f. \u0412 \u0441\u043b\u0435\u0434\u0432\u0430\u0449\u0430\u0442\u0430 \u0447\u0430\u0441\u0442 \u043e\u0442 \u0440\u0430\u0437\u0440\u0430\u0431\u043e\u0442\u043a\u0430\u0442\u0430 \u043e\u0431\u0437\u043e\u0440\u044a\u0442 \u043d\u0430 \u0433\u0440\u0430\u043d\u0438\u0446\u0438\u0442\u0435 \u043f\u0440\u0435\u0434 \u043f\u043e\u0437\u0438\u0442\u0438\u0432\u043d\u0430\u0442\u0430 \u0430\u0440\u0442\u0438\u043a\u0443\u043b\u0430\u0446\u0438\u044f \u043d\u0430 \u201e\u043d\u0430\u0440\u0430\u0442\u0438\u0432\u043d\u043e \u0432\u0440\u0435\u043c\u0435\u201c \u0435 \u0432 \u043f\u0430\u0440\u0430\u043b\u0435\u043b \u0441 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0430 \u0432\u044a\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442, \u043a\u043e\u044f\u0442\u043e \u043e\u0441\u043e\u0431\u0435\u043d\u0438\u044f\u0442 \u0441\u0442\u0430\u0442\u0443\u0442 \u043d\u0430 \u0442\u0435\u0437\u0430\u0442\u0430 \u0432\u044a\u0432 \u201e\u0412\u0440\u0435\u043c\u0435 \u0438 \u0440\u0430\u0437\u043a\u0430\u0437\u201c \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u0432\u0430. \u0412 \u0437\u0430\u043a\u043b\u044e\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u0435 \u0443\u043a\u0430\u0437\u0430\u043d\u043e, \u0447\u0435 \u0441 \u043f\u0440\u0435\u0434\u043b\u043e\u0436\u0435\u043d\u0438\u044f \u0434\u0432\u043e\u0435\u043d \u0445\u0435\u0440\u043c\u0435\u043d\u0435\u0432\u0442\u0438\u0447\u0435\u043d \u043a\u043b\u044e\u0447: \u043a\u0440\u044a\u0433\u043e\u0432\u043e\u0441\u0442 \u043e\u0442 \u0442\u0440\u043e\u0439\u043d\u0438 \u0442\u044a\u043b\u043a\u0443\u0432\u0430\u043d\u0438\u044f, \u043e\u0442 \u0435\u0434\u043d\u0430 \u0441\u0442\u0440\u0430\u043d\u0430, \u0438 \u0434\u0438\u0430\u043b\u0435\u043a\u0442\u0438\u043a\u0430 \u043d\u0430 distensio animi (\u0441\u0432. \u0410\u0432\u0433\u0443\u0441\u0442\u0438\u043d) \u0438 discordant concordance (\u0410\u0440\u0438\u0441\u0442\u043e\u0442\u0435\u043b), \u043e\u0442 \u0434\u0440\u0443\u0433\u0430 \u0441\u0442\u0440\u0430\u043d\u0430, \u0420\u0438\u043a\u044c\u043e\u0440 \u0437\u0430\u043f\u0430\u0437\u0432\u0430 \u0448\u0430\u043d\u0441 \u0437\u0430 \u043e\u0442\u0438\u0432\u0430\u043d\u0435 \u043e\u0442\u0432\u044a\u0434 \u0430\u043f\u043e\u0440\u0438\u0438\u0442\u0435 \u043d\u0430 \u0432\u0440\u0435\u043c\u0435\u0442\u043e, \u043d\u043e \u043d\u0430\u043f\u0443\u0441\u043a\u0430 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0441\u043a\u0430\u0442\u0430 \u0440\u0430\u043c\u043a\u0430 \u043d\u0430 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e.<br \/><em>Keywords:<\/em> semantics of action; historicity; emplotment; fictional projected world; narrated time; aporetics of time<\/p>\n<p>\u00a0<\/p>\n<p><strong>WHAT IS AT STAKE IN PAUL RICOEUR\u2019S \u201cTIME AND NARRATIVE\u201d?<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The article is a critique of the language-time relation, characterized by Paul Ricoeur as: return and distanciation in regard to pre-narrativity; opening the logic of story toward historicity; engagement with the fictional. To the forefront is the question of delineation between epistemological and ontological problematics. To this end, first, the mediating role of reflexivity, differentiated on the basis of distanciation and textuality, is examined. Second, in the context of the conception for triple mimesis are distinguished: the function of imagination and ambiguous moments in Ricoeur\u2019s strategy \u2013 inconsistency in his plan for processual historical thinking and respectively \u2013 a problem with the notion of \u2018representing\u2019 the past. The analysis continues with the complementary theme of a \u201cprojected world,\u201d where the act of reading brings forth the phenomenon of time through a productive intersection. Here, via the juxtaposition between an emplotment, which is already in a cultural world, and the autonomous literary work, is outlined Ricoeur\u2019s idea about a transition from semantics of action, through a trans-temporal imaginary world, to refiguration. In the next part of the research, an overview of the limits before a positive articulation of narrated time parallels the last possibility, allowed by the specific status of the thesis in Time and Narrative. The perspective of a double hermeneutical key: circularity of triple interpretations, on the one hand, and dialectic of distensio animi (St. Augustin) and discordant concordance (Aristotle), on the other hand, is explained in the conclusion. In this way Ricoeur saves a chance for going beyond the aporetics of time, but leaves behind the frame of philosophical investigation.<\/p>\n<p>\u00a0<\/p>\n<p>Mr. Chavdar Dimitrov, PhD Student<br \/>Faculty of Philosophy<br \/>Sofia University<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a name=\"art05\"><\/a>\u0417\u0410 \u0420\u0415\u0410\u041b\u041d\u041e\u0421\u0422\u0422\u0410 \u0418 \u041f\u041e\u0421\u041e\u041a\u0418\u0422\u0415 \u0412\u042a\u0412 \u0412\u0420\u0415\u041c\u0415\u0421\u042a\u0417\u041d\u0410\u041d\u0418\u0415\u0422\u041e<\/strong><br \/><strong>(\u0427\u0430\u0441\u0442 2)<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>\u041a\u043e\u0441\u0442\u0430 \u0411\u0435\u043d\u0447\u0435\u0432<\/strong><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0421\u043b\u0435\u0434 \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u043e \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430\u043d\u0435 \u043d\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0430\u0442\u0430 \u0437\u0430 \u0432\u0440\u0435\u043c\u0435\u0442\u043e \u043a\u0430\u0442\u043e \u043f\u043e\u0442\u043e\u043a (\u0440\u0435\u043a\u0430), \u0442.\u0435. \u2013 \u043a\u0430\u0442\u043e \u043f\u0440\u043e\u0438\u0437\u043b\u0438\u0437\u0430\u0449\u0430 \u043e\u0442 \u0444\u0438\u043a\u0441\u0438\u0440\u0430\u043d\u0430 \u0442\u043e\u0447\u043a\u0430 \u201e\u0441\u0442\u0440\u0435\u043b\u0430\u201c, \u043f\u0440\u0438 \u043a\u043e\u0435\u0442\u043e \u043d\u0430\u0447\u0430\u043b\u043e\u0442\u043e \u0439 \u0435 \u0432 \u043c\u0438\u043d\u0430\u043b\u043e\u0442\u043e, \u0430 \u0441\u043b\u0435\u0434 \u0442\u043e\u0432\u0430, \u0441\u043f\u043e\u0440\u0435\u0434 \u0442\u043e\u0432\u0430 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e \u043c\u043d\u0435\u043d\u0438\u0435, \u0438 \u043f\u043e-\u043a\u044a\u0441\u043d\u043e \u0438\u0434\u0432\u0430 \u0431\u044a\u0434\u0435\u0449\u043e\u0442\u043e, \u0441\u0435 \u043f\u0440\u0435\u0434\u043b\u0430\u0433\u0430 \u0442\u0430\u043a\u0430 \u043d\u0430\u0440\u0435\u0447\u0435\u043d\u0438\u0442\u0435 \u043e\u0442\u0440\u0435\u0437\u043a\u0438 \u043d\u0430 \u0432\u0440\u0435\u043c\u0435\u0442\u043e \u0434\u0430 \u0431\u044a\u0434\u0430\u0442 \u0445\u0438\u043f\u043e\u0442\u0435\u0442\u0438\u0447\u043d\u043e \u043f\u0440\u0435\u043d\u0430\u0440\u0435\u0434\u0435\u043d\u0438 \u0447\u0440\u0435\u0437 \u0440\u0430\u0437\u043c\u044f\u043d\u0430 \u043c\u0435\u0441\u0442\u0430\u0442\u0430 \u043d\u0430 \u0434\u0432\u0435\u0442\u0435 \u043a\u0440\u0430\u0439\u043d\u0438 (\u043d\u0430 \u043c\u0438\u043d\u0430\u043b\u043e\u0442\u043e \u0438 \u043d\u0430 \u0431\u044a\u0434\u0435\u0449\u0435\u0442\u043e) \u043e\u0442 \u0442\u044f\u0445. \u0422\u0430\u043a\u0430 \u0441\u0435 \u0438\u0437\u043f\u043e\u043b\u0437\u0432\u0430\u0442 \u043c\u043e\u0434\u0430\u043b\u043d\u0438 \u043a\u0430\u0442\u0435\u0433\u043e\u0440\u0438\u0438, \u0432\u043a\u043b\u044e\u0447\u0438\u0442\u0435\u043b\u043d\u043e \u043f\u043e \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u0435 \u043d\u044f\u043a\u043e\u0438 \u043f\u0430\u0440\u0430\u043b\u0435\u043b\u0438 \u0441 \u043f\u0440\u0435\u0436\u0438\u0432\u044f\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0435 \u0441\u0430\u043c\u043e \u043d\u0430 \u0432\u0440\u0435\u043c\u0435\u0442\u043e, \u043d\u043e \u0438 \u043d\u0430 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e\u0442\u043e. \u0420\u0435\u0437\u0443\u043b\u0442\u0430\u0442\u044a\u0442 \u043e\u0442 \u0442\u043e\u0432\u0430 \u043f\u0440\u0435\u043d\u0430\u0440\u0435\u0436\u0434\u0430\u043d\u0435 \u0435 \u0434\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u0435\u043d\u0438 \u0430\u0440\u0433\u0443\u043c\u0435\u043d\u0442\u0438 \u0432 \u043f\u043e\u043b\u0437\u0430 \u043f\u0440\u043e\u0438\u0437\u0445\u043e\u0434\u0430 \u0442\u0435\u043c\u0438\u0442\u0435 \u043d\u0430 \u043c\u0435\u0442\u0430\u0444\u0438\u0437\u0438\u043a\u0430\u0442\u0430 \u0432 \u0446\u044f\u043b\u043e\u0441\u0442 \u043e\u0442 \u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u044f\u0442\u0430 \u043d\u0430 \u043d\u0435\u043b\u0438\u043d\u0435\u0439\u043d\u043e\u0441\u0442\u0442\u0430.<br \/><em>Keywords:<\/em> Time; flow; river; past; present; future; direction; modalities; metaphysics; Plato; Aristotle; St. Augustine; Heidegger; Merleau-Ponty; Russel<\/p>\n<p>\u00a0<\/p>\n<p><strong>ON REALITY AND DIRECTIONS WITHIN TIME-CONSCIOUSNESS<\/strong><br \/><strong>(PART 2)<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> After critical attention is paid to the idea of time as a kind of flow (or of a river) \u2013 being an &#8222;arrow&#8220; that has its origins in a fixed point \u2013 incl. the idea that its beginning lies in the past, and that the future comes after that according to this received opinion, a proposal is made. The so-called segments (cuts) of time should be hypothetically re-arranged through changing the places of the first and the last (these are the past and the present). It is done by using modal categories, while related to parallels regarding not only experience of time but of space, too. This attempt to re-arrangement results in the explication of certain arguments in favor of the origin of metaphysics as a whole as grounded in the psychological phenomena of non-linearity.<\/p>\n<p>\u00a0<\/p>\n<p>Mr. Kosta Bentchev<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art06\"><\/a>\u041f\u0420\u0418\u0417\u0412\u0410\u041d\u0418\u0415\u0422\u041e \u0412\u042a\u0412 \u0424\u0418\u041b\u041e\u0421\u041e\u0424\u0418\u042f\u0422\u0410 \u041d\u0410 \u0425\u041e\u0421\u0415 \u041e\u0420\u0422\u0415\u0413\u0410-\u0418-\u0413\u0410\u0421\u0415\u0422 \u2013 \u0413\u0415\u0420\u041e\u0418\u0417\u042a\u041c \u0417\u0410 \u0412\u0421\u0415\u041a\u0418<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>\u041c\u0438\u0433\u043b\u0435\u043d\u0430 \u041c\u0430\u0440\u0438\u043d\u043e\u0432\u0430 <\/strong><br \/><em>South-West University \u201cNeofit Rilski\u201d<\/em><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0438\u043c\u0430 \u0437\u0430 \u0446\u0435\u043b \u0434\u0430 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430 \u0444\u0443\u043d\u0434\u0430\u043c\u0435\u043d\u0442\u0430\u043b\u043d\u043e\u0442\u043e \u0437\u0430 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f\u0442\u0430 \u043d\u0430 \u0425\u043e\u0441\u0435 \u041e\u0440\u0442\u0435\u0433\u0430-\u0438-\u0413\u0430\u0441\u0435\u0442 \u043f\u043e\u043d\u044f\u0442\u0438\u0435 \u201e\u043f\u0440\u0438\u0437\u0432\u0430\u043d\u0438\u0435\u201c, \u043a\u043e\u0435\u0442\u043e \u043b\u0435\u0436\u0438 \u0432 \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0430 \u043d\u0430 \u0441\u0445\u0432\u0430\u0449\u0430\u043d\u0435\u0442\u043e \u043c\u0443 \u0437\u0430 \u0430\u0432\u0442\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u0442\u0430 \u043d\u0430 \u0447\u043e\u0432\u0435\u0448\u043a\u0438\u044f \u0436\u0438\u0432\u043e\u0442. \u0418\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e \u0441\u0435 \u0444\u043e\u043a\u0443\u0441\u0438\u0440\u0430 \u0432\u044a\u0440\u0445\u0443 \u043d\u044f\u043a\u043e\u0439 \u043e\u0442 \u043d\u0430\u0439-\u0435\u043c\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u0447\u043d\u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0435 \u043d\u0430 \u0438\u0441\u043f\u0430\u043d\u0441\u043a\u0438\u044f \u0444\u0438\u043b\u043e\u0441\u043e\u0444, \u043a\u0430\u043a\u0442\u043e \u0438 \u0432\u044a\u0440\u0445\u0443 \u043d\u044f\u043a\u043e\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0438 \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438 \u043d\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430. \u0422\u044a\u0440\u0441\u044f\u0442 \u0441\u0435 \u043e\u0442\u0433\u043e\u0432\u043e\u0440\u0438 \u043d\u0430 \u0432\u044a\u043f\u0440\u043e\u0441\u0438\u0442\u0435 \u0437\u0430 \u0441\u044a\u0449\u043d\u043e\u0441\u0442\u0442\u0430, \u043f\u0440\u043e\u0438\u0437\u0445\u043e\u0434\u0430 \u0438 \u0432\u044a\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u0438\u0442\u0435 \u0437\u0430 \u0440\u0435\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u044f \u043d\u0430 \u043f\u0440\u0438\u0437\u0432\u0430\u043d\u0438\u0435\u0442\u043e, \u043a\u0430\u0442\u043e \u0442\u043e \u0441\u0435 \u043e\u0431\u0432\u044a\u0440\u0437\u0432\u0430 \u0441 \u0432\u044a\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435\u0442\u043e \u0438 \u043b\u044e\u0431\u043e\u0432\u0442\u0430, \u043a\u0430\u043a\u0442\u043e \u0438 \u0441 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0430\u0442\u0430 \u0437\u0430 \u0447\u043e\u0432\u0435\u043a\u0430 \u043a\u0430\u0442\u043e \u0441\u044a\u0449\u0435\u0441\u0442\u0432\u043e, \u043a\u043e\u0435\u0442\u043e \u0432\u044a\u0432 \u0432\u0441\u0435\u043a\u0438 \u043c\u043e\u043c\u0435\u043d\u0442 \u0438\u0437\u0431\u0438\u0440\u0430 \u0441\u0435\u0431\u0435 \u0441\u0438.<br \/><em>Keywords:<\/em> JoseOrtega y Gasset; vocation; destiny; freedom; imagination; creativity; love<\/p>\n<p>\u00a0<\/p>\n<p><strong>TH\u0415 \u201cVOCATION\u201d IN THE PHILOSOPHY OF JOSE ORTEGA-Y-GASSET \u2013 HEROISM FOR EVERYONE<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> Th\u0435 paper aims to explore the concept of \u201cvocation\u201d which is essential to the philosophy of Jose Ortega-y-Gasset, and lies at the heart of his perception of the authenticity of being. For this purpose, the study focuses on some of the most emblematic texts of the Spanish philosopher, as well as on some modern interpretations of the problem. The text attempts to answer a number of questions about the nature, origin and possibilities of realization of the vocation by binding the concept to the imagination, love and the idea of man as a being who chooses himself at any moment.<\/p>\n<p>\u00a0<\/p>\n<p>Ms. Miglena Marinova, PhD Student<br \/>South-WestUniversity \u201cNeofit Rilski\u201d<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u00a0\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>CONTENTS of Issue 4\/2018 \/ \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415 \u043d\u0430 \u0431\u0440\u043e\u0439 4\/2018 \u00a0 HISTORY OF PHILOSOPHY \/ \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u041d\u0410 \u0424\u0418\u041b\u041e\u0421\u041e\u0424\u0418\u042f\u0422\u0410\u041f\u043e\u0437\u043d\u0430\u0432\u0430\u0442\u0435\u043b\u043d\u0430 \u0441\u0438\u043b\u0430 \u0438 \u043d\u0435-\u0441\u043f\u043e\u0441\u043e\u0431\u043d\u043e\u0441\u0442 \u0437\u0430 \u0441\u0432\u043e\u0431\u043e\u0434\u0430 \u2013 \u041a\u0430\u043d\u0442\u043e\u0432\u0438 \u0442\u0440\u0438\u0445\u043e\u0442\u043e\u043c\u0438\u0438 [Cognitive Force and In-capability for Freedom \u2013 Kantian Trichotomies] \/ \u0418\u0432\u0430\u0439\u043b\u043e \u0414\u0438\u043c\u0438\u0442\u0440\u043e\u0432 \/ Ivaylo Dimitrov \u2013 \u0441\u0442\u0440. 343 \u00a0 Hegel and the Speculative Course of Freedom \/ Ivo Minkov \u2013 [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[]},"categories":[3618],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - 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